‘Fire away,’ I said to Augustus Sly.
‘Montenegro,’ he said. ‘Ah, Montenegro.’
We were in London.
‘Or Crna Gora, as the locals have it,’ he said. His pronunciation was just so.
‘Montenegro,’ I said, ‘since you are interviewing me on the subject, is a boost to creativity. Of course, as a country, you shouldn’t judge it by February. It was cold and it rained. It reminded me of the west of Ireland from the days when I used to go there. In Ireland it rained and the cold got you deep down. Ireland and Montenegro both, you would hunch in front of some electric fan heater so that your face burned and your feet still felt like ice. It couldn’t be as cold as it felt, to judge by the temperature gauge in the hired Corsa: I suppose that it was the damp that got into the house and your bones and could only be dispelled by living there.
‘The difference between Montenegro and Ireland,’ I said, ‘is twofold: the music and the gossip. In Ireland there is always music: furious music through an open door, as Mike Scott says.’
‘Waterboys,’ said Augustus Sly.
‘Just so. Room to Roam. In Montenegro, there’s also always music, but it’s Europop…’
‘Kurd Maverick?’ said Augustus Sly.
‘At best.
‘And in Ireland,’ I said, ‘there are always stories. There’s gossip about the people who live there. So and so has become a lesbian. So and so has become a potter. So and so was JFK’s real father, still alive, by God. Such and such a church is the oldest in Europe, celebrated in poems and songs now lost. In that valley they still talk Latin – away from the incomers and the tourists, of course. In Montenegro there are probably stories too, but they’re lost on me, not having the Serbo-Croatian. So I’m driven to making them up.’
‘Kurd Maverick?’ said Augustus Sly.
‘He’s real, actually – but I have made him do things that he didn’t really do. He’s cool with it. No, I was thinking of Apa’tman, the great Sixteenth Century warlord who put his enemies to the sword and then subdued the nation with the benign aid of kefir, but would not survive a Google search.’
‘Apa’tman,’ said Augustus Sly, ‘is not a happy creation. With respect.’
‘Please don’t say ‘with respect’,’ I said. ‘It nearly always comes across as either rude or smug.’
‘In my case?’
‘Smug.’
‘Apa’tman is wholly unbelievable,’ Augustus Sly said. ‘Like Dame Jenni ™ Murray, another of your obviously made-up characters that you lay on with a trowel.’
‘Do you think,’ I said, ‘that there is a danger of making the whole thing more self-referential that it already is if we continue in this vein?’
‘Were you planning to record our conversations?’
‘This?’
‘Yes.’
‘Post them?’
‘Of course.’
‘That was the plan: if your questions were sufficiently amusing. My readers like nothing more than a bit of high-level intellectual colloquy.’
Augustus Sly studied the end of his pencil. He was on his mettle now.
‘Great Secret Miss,’ he said.
‘Ah. Tricky, that.’
‘Where is it, do you think?’
‘I can’t of course say exactly where it is or it would be inundated by my thousands of Followers, which would spoil its peculiar ambience. Soho, I suppose, with The Kingdom further up towards the Euston Road. It has certain Magic Toyshop qualities, though, hovering between real life and the world of dreams. You may not be able easily to see it from the street.’
‘And Uncle Edgerton…’
‘Everyone hates Uncle Edgerton.’
‘No. No. The whole zombie thing. Fascinating. In a way…’
‘What I felt, I’d been very brave. Credit was due.’
Augustus Sly ignored that.
‘The whole zombie thing,’ I said, ‘as you call it. What’s your take on that, then?’
‘Oh,’ said Augustus Sly. ‘Post-ironic anomie. That whole thing. It’s a rather important element of my thesis, actually. Won’t say any more if you’re, you know…’
‘… posting. Of course. Internet piracy. You wouldn’t want anyone else stealing a march.’
‘I’ve been burned before,’ said Augustus Sly. ‘Peer review! Ha! Peer theft more like.’
‘Not on your alablague research?’
‘No. No. A thing on Barthes. Barthes: Roland or Simpson? Peer theft more like.’
‘I’m sorry to hear it. If I do a post about this do you want me to take out the bit about post-ironic anomie?’
‘Yes please,’ said Augustus Sly.
He stared at the end of his pencil again.
‘What will you call it?’ I said. ‘Your thesis?’
‘Before the colon or after?’
‘Ng?’
‘All titles of theses are split about a colon. Pilate Jests: Truth and Lies in the Alablague Blog. Barthes: Roland or Simpson? . That sort of thing.’
‘Is that it? There’s no Pilate in my blog.’
‘No it isn’t the title. That’s a secret. Of course there isn’t Pilate actually in your blog. That would be too blatant a channeling of Master and Marguerite even for you. ‘
Augustus Sly flipped his fingers into aerial quotation marks when he said ‘channeling’.
‘But ‘alablague’’, he went on, ‘ – ‘in jest’ in French; Canadian French anyway – is an obvious reference to jesting Pilate.’
‘Bollocks,’ I said. ‘It’s my surname.’
‘My daughter,’ I said, ‘like you an aspiring PhD, likes to drape her thesis titles around a semi-colon, incidentally, rather than the colon as more generally found.’
‘Bollocks,’ said Augustus Sly.
‘I suppose you’re not telling me the title because of the post-ironic anomie business.’
‘Bollocks,’ said Augustus Sly.
‘I’ll get it out of you.’
He fell silent and ruminated for a moment – figuratively, of course, on account of having only one stomach.
Or so I assume: our acquaintance is still too young for confidences of that nature.
Clearly he was working up to something.
‘Big one,’ he said.
I realised at once that he was not attempting to flatter me by using the vocative case. He meant, ‘This is the big one.’ It was usage I had come across before.
‘Mm?’ I said.
‘Who is Amy?’ said Augustus Sly.